>I’m looking forward to this show. Can’t wait to hear Tennis live, can’t get those damn hooks out of my head. Although, I never know what the broad is saying.
“It’s far easier to save a dollar than it is to make one.”
>I had this moment today where I thought – “Julie Doiron is not very good.” I was listening to the tune “Banjo” off of Goodnight Nobody, a really odd album.
A rare sight: record store expansion
Just north of Yonge-Dundas Square — an area that was one a record store mecca — there’s a guy trying to sell old-school classical and jazz CDs, the kind that come in a clear-plastic case wrapped in impossible-to-open plastic. Is this an act of rabid nostalgia, or is there something he knows that the rest of us don’t?
The new department at Sunrise Records — an Ontario chain best known for pop, rock and DVD sales — has been masterminded by Tom Plewman, a vigorous, smooth-talking, music-loving, 60-something veteran of radio and music retailing. Where others have faced retail ruin, Plewman sees opportunity.
“I spent my youth here buying records at A&A and Sam’s,” Plewman recalls of Yonge’s erstwhile flagship record stores. “I think this can still be a destination, if people become aware that we’re here.”
A renovated second floor at Sunrise shows off a substantial cross-section of new releases and catalogue titles in classical, jazz and blues, all hand-picked by Plewman and Frederick Harrison, a veteran of the now-demolished Sam’s store across the street.
Plewman says Sunrise owner Malcolm Perlman is keen to wring some revenue from the unused second floor of the Yonge-and-Dundas store.
Hopefully, Perlman is a patient man when it comes to a return on his investment. In the first weekend the new department was open, back in October, Plewman says he rang up three sales — all to out-of-town visitors. Over the course of a 45-minute visit just before lunch one day earlier this week, one customer came in — not to browse, but to ask a specific question.
“Getting this place off the ground has been frustratingly slow,” Plewman admits.
Circumstances haven’t exactly helped. Demolition work and the former Empress Hotel burning down across the street haven’t been good for pedestrian traffic on this stretch of Toronto’s Main St.
There’s no money for advertising, so Plewman has to wait for word-of-mouth referrals. He is certain these will come, because he can offer people product that they can’t easily find somewhere else.
Plewman walks me over to a CD of the original 1965 album by the Paul Butterfield Blues Band.
“This is mind-blowing stuff, and you’re not going to find this at any other store in Toronto,” he asserts.
Like a proud father, the retailer points to a set of Mozart piano concertos played by late piano legend Alicia de Larrocha. “These are sublime. They’re the best recordings ever,” he gushes.
Welcome to an old-fashioned, customer-focused shopping experience that Plewman describes as “the thrill of discovery” — of coming in to browse and being open to surprise finds.
It’s an experience Harmik Grigorian relies on at L’Atelier Grigorian, Toronto’s last remaining independent classical and jazz record store.
Grigorian has carefully tended his Oakville and Yorkville stores and built a website filled with advice for would-be customers.
Like Plewman, Grigorian prides himself on being able to source difficult-to-find CDs and DVDs.
Grigorian and Plewman tout their personal love of music and knowledge of the market. It allows them to make recommendations to store visitors — and also allows them to identify the real gems in each label’s catalogue.
“The young salespeople at the labels no longer know anything about the music,” Grigorian explains, so he has to take each month’s catalogue and make his own choices.
For him, as well as people who walk through the door of his store, the enduring thrill is “in feeling the wealth of music,” he beams.
For him, that wealth still needs to come in a clear-plastic case wrapped in impossible-to-open plastic.
>My Mom has a funeral to go to this evening. All I can think about is this tune:
>Five CDs on random.
- “Gangster Tripping” – Fat Boy Slim
- “Big Burned Hand” – Iron and Wine
- “Hundred” – The Fray (Skipped)
- “Honey and the Moon” – Joseph Arthur (OC)
- “Praise You” – Fat Boy Slim
- “Godless Brother in Love” – Iron and Wine
- “Bob Dylan’s Blues” – Bob Dylan
- “How Good It Can Be” – The 88
- “Blowin’ in the Wind” – Bob Dylan
- “Love Island” – Fat Boy Slim (Skipped)
- “Walking Far From Home” – Iron and Wine
- “Monkeys” – Iron and Wine
- “Look After You” – The Fray
- “Dead Wrong” – The Fray
- “Honey, Allow Me Just One More Chance” – Bob Dylan
- “All At Once” – The Fray
- “How to Save a Life” – The Fray
- “Vienna” – The Fray (Skipped)
- “Orange Sky” – Alexi Murdoch (the first cut)
- “Heaven Forbid” – The Fray (skipped)
- “Glad Man Singin'” – Iron and Wine
- “I Shall Be Free” – Bob Dylan
>How can you not fall in love with Sondre Lerche:
>I’ll certainly be seeing them in California this spring, but they’ll also be playing the Molson Amphitheater this July.
>Sorry I missed ya Bobby Long!
>I forgot to mention that Jenn Grant actually wrote the song “Paradise Mountain” after being completely moved by the use of the Bon Iver song “Re: Stacks” in an episode of House. She very cutely joked that her tune was to be called “Re: Re: Stacks,” rather it’s called “Paradise Mountain.”