Concert Review: Sandro Perri at Burdock

It’s been five years since I saw Sandro Perri live. He was pushing his new album, Impossible Spaces, and had cool openers, Bry Webb and Ryan Driver. Apparently, opening act LUKA had roped Perri out to play the gig.

I was surprised to see the classy outfit Perri brought together. I don’t remember seeing him with a trumpet/flute accompaniment. Toronto musician, Ryan Driver played the flute with some of the worst wind instrument posture. As a former flute player, I was always told to keep a balanced stance that allows air to flow freely through your body. Driver’s legs were crossed, back hunched and head forward with a duck-like pull. I’ll admit Driver still sounded good.

Perri’s trumpet player, Nicole Rampersaud, made trumpet sounds I didn’t even know were possible. They weirdly blended and stuck out perfectly.

The set was short. He managed to play a few of my favourite tunes – Tiny Mirrors’ strongest tune “Double Suicide” was played second in the set. Perri told the crowd after playing the song that he tried to write a song about suicide. His drummer chimed in to say a young child told him that you can’t force a suicide – the audience awkwardly chuckled.

I was super excited to hear Impossible Spaces‘ nine-minute bleeding tune “Wolfman,” which has always had a certain likeness to Neil Young’s “Walk On.” The set followed up with a closing cover of John Martyn’s “Couldn’t Love You More.” It’s not the first time I’ve heard him tackle this cover, but it sure was lovely.

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