Concert Review: Jason Collett at the Mod Club; Wednesday March 9, 2016

I had the strange realization that I watched Jason Collett play exactly a decade ago when I was eighteen (and underage) at the Mod Club. My move was to never buy advanced tickets, but to rely on door tickets and a little bit of hope that someone thought it was my picture on my ID.

I had a sweet exchange with the guy I bought my ticket off of. We agreed that listening to Jason Collett makes someone cool and that Jason Collett has sure held up well with time. The record store guy said that it was because of his “responsible” choices as a musician. Must be responsible being a Dad of a large, mature brood of kids (no longer kids and maybe not that large).

Along with his age, Collett’s live show has changed quite a bit. He has the same fellas (Zeus and Bahamas) playing with him that he did a decade before, as well as session artist, Christine Bougie. Trusting his band more, he leaves the music to the band and focuses on his sweet dance moves. His lanky figure matches his hip-heavy, arm swinging dancing that traversed most of the stage.

Hometown heartthrob Afie Jurvanen (Bahamas) came out for a few songs and for the third modestly hung back and played the tambourine. It felt more like a family gathering than it did a paid concert. Collett’s always been good at setting a comfy mood at gigs.

In sixteen years, Collett’s released eight full-length albums. He played selections from most of the albums including some oldies like – “Blue Sky,” a solo sung “Hangover Days,” “Fire” and the set’s opener “I’ll Bring the Sun.”

He played a honky-tonk-style version of “My Daddy was a Rock ‘n Roller,” which he tacked together with another song – a very Zeus move.

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Concert Review: Beach House at the Danforth Music Hall; Sunday March 6, 2016

I went out of my way to trade for these damn Sunday tickets. I had to sell my Stub Hub’d Saturday tickets and bought someone else’s Sunday tickets. Madness, but I made it.

These shows were crazy sold out ages in advance. The Danforth Music Hall has a capacity of 1,500 people. In 2008, I saw them play to a crowd one-third of the size at the El Mocambo and paid just eight bucks to hear them. That was almost eight years ago to the month, I was a wee peanut – just twenty years old. As the chumps we are, we watched them play eight years later with one thousand more people.

Beach House is Victoria Legrand and Alex Scally. Their band additionally includes a bassist and a drummer. Their sound is lush and sleepy with Legrand’s husky vocals and Scally’s guitar noodles. Beach House has carved their own unique sound – organ heavy with gorgeous guitar parts. I fell hard for 2010’s Teen Dream, particularly the album’s second track, “Silver Soul.” I was into it so early that YouTube videos hadn’t even really populated on the album. I watched this video over and over soaking it every sound that left Scally’s guitar from the first second of the video.

Legrand took a few minutes to give the audience an etiquette lesson, referring to it as her old lady rant. She told the audience that out of respect to their fellow concert-goers and the artist, one shouldn’t have their cameras on for more than a minute. Similarly, She & Him share this same attitude towards cameras and concert going.

Considering the band released two albums in 2015, they played a good balance of songs old and new. I was thrilled to hear “Silver Soul,” “Walk in the Park” and “Gila,” but slightly heartbroken in the absence of “Used to Be,” “Zebra” and “Master of None.” To YouTube, I guess!

 

Concert Review: Ty Segall with CFM at the Danforth Music Hall; Friday March 4, 2016

After writing ten or eleven posts gushing excitement for seeing Ty Segall live, I left the gig feeling embarrassed and disappointed. From the first few songs to the very last song, Toronto people, mostly boys, crawled to the front of the lightly supervised pit and crawled on stage. Most took pool-like belly flops into the crowd, but overstayed their welcome by lingering too long or harassing band members. At one point, Ty Segall said “I don’t like that guy.”

Someone pointed out to me that Ty Segall’s music and performance is very unhinged, so the crowd naturally mimics his attitude. I think my hopes were so high for this gig that it surprisingly wasn’t the band that brought me down (they were flawless), it was the crummy audience.

Something that’s always astounded me is looking around the room of a sold out concert, in your home town, to see that you know no one in the room. It’s a weird feeling, but it’s nice. I used to keep music a secret from my friends. If I liked an artist a lot I wouldn’t share it. I’d keep it deep inside of me, my little secret. Going to a show and having this anonymity is a similar feeling… Except I was trapped in my worst nightmare that consisted of shirtless bros with their Calvin Klein boxers showing.

Segall’s recent release Emotional Mugger is album that I enjoy live more than recorded. Watching a live band comprised of crazy talented musicians is such a marvel and is the reason I started this series in anticipation of this gig. Most of the band came out in weird outfits – Kyle Thomas (aka King Tuff) and Cory Hanson (Wand) were both wearing neon orange. Hanson wore bright orange clown-like lipstick and Thomas was in a bright orange jail-like one-piece. My favourite, Mikal Cronin, just had dress shoes and nice pants on. I dig the average guy.

Segall spent a good chunk of the gig wearing his creepy baby mask. It was no surprise to me, but I could tell people were put off. He’s weird.

The set was comprised of more upbeat Ty Segall songs to keep up with the new album.

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Gush: Damien Jurado

Have you heard of Damien Jurado? I saw the guy play a few years back at Sasquatch! Music Festival. He must’ve been in a bad mood because after noodling around in his brief soundcheck he stormed off the stage. It took a fan to hop in front of the mic to publicly beg Jurado to please his fans. He plugged through the set and offered a half apology for his displeasure.

This performance got me. I get the challenges of turning it on for people. It ain’t easy.

Here I provide a short list of albums Jurado loves. I’m surprised by the list’s diversity and his sweet memories of how he stumbled upon each one.

Jurado’s playing the Garrison on May 30, 2016.